GET TO KNOW ME
I trained as a performer and have always been drawn to stories that leave me seeing the world in a different way. I believe passionately in future-proofing the industry by designing pathways that are accessible, particularly for artists whose voices are underrepresented within existing cultural systems.
My work spans both established and emerging contexts. I have created work at venues including The Space Theatre, The Lion & Unicorn, The Omnibus Theatre, and have lead workshops with Punchdrunk and The Young Actor’s Theatre Islington. My writing has been longlisted by the BBC Writer’s Room, published in the Royal Society Of Literature, and selected by the National Theatre’s New Views programme.
My shadowing director roles on large-scale productions include The Unlikely Pilgrimage of Harold Fry (Chichester Festival Theatre), Bengal Tiger at the Bagdad Zoo (Young Vic), and An Inspector Calls (New Wimbledon Theatre) .
I am the co-founder of Blank Space Collective Ltd and am represented by Seen Talent Management.
My Practise
My practice is rooted in multidisciplinary and physical storytelling. I am all about breath, rhythmn, and embodiment. My phsyical training leans into my writing, creating theatre that is rich in both written and physical language. My aim as a theatre maker is to get people who think ‘theatre isn’t for me’ in my audiences, and make them feel curious and hungry for more!
Theatre is one of the oldest art forms and has been connecting humans for centuries. Now, it can feel completley unaccessible and so expensive. I am am driven by a need to support new work development and underrepresented people in the arts. I co-founded Blank Space Collective, to create equitable platforms for early-career and marginalised artists across London, I have led workshops, curated development events, and mentored emerging directors and writers, building accessible, sustainable pathways into the industry. I strongly believe that community-embedded theatre is not ancillary to excellent artistic practice, but fundamental to the health and relevance of the wider theatrical ecosystem.